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Clee Claire Lee

Installation - Sculpture - Live Art - Collaboration
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'This is how gorgeous it feels' with Lucy Haighton's Third Bite Dance Company, 2021

I participated in Third Bite Dance company film project in 2021 as dance participant collaborator. Third Bite Dance is a performance arm of 50+ Contemporary Dance Sheffield - Creative Director, Lucy Haighton.

Photography by David Wilson Clarke and Flyer design by Lucy Vann

See a trailer for the film here

Unwaning, 2021

A stop-motion animation I playfully created in response to one of our rehearsal sessions that affectionately became known as the ‘waning roboticists’

This is how gorgeous it feels, 2021
This is how gorgeous it feels, 2021

Flyer for the film premiere on 12 June 2021

Unwaning 2021

Preys, 2020

Contending with Covid Tier restrictions, I attached myself to my installation and filmed the almost invisible wire-work using drone videography by Mark Smith

This photograph is by Peter Griffiths.

See the film below

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Autumnal Comings and Goings with Dawn Holgate, 2020

This is a wire/fern sculptural piece (Unfallen Fruit) installed at Loxley Common, responding to being a dance participant collaborator in this project by Dawn Holgate.

Over Summer 2020, Clee participated in Dawn’s project Autumnal Comings and Goings. Dawn is a Leeds-based dancer and choreographer, and invited women artists, dancers, educators and theatre artists to collaborate with her to think about visibility, the menopause and dance.

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Dance collaboration with Gerry Turvey, 2020

Clee collaborated with dance artist, Gerry Turvey from the end of 2019 to the beginning of 2020. They were working on performance pieces to accompany Clee’s sculptural work planned for shows in March and April 2020. The collaboration was cut short by the arrival of Covid-19.

For more information about the work Gerry does with artists and galleries, click here

Photos by Gerry Turvey.

Clee devising movement
Clee devising movement
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Regardez la fenêtre, 2018

This was a three-week residency in a shop front, enabled by Access Space, Sheffield, to examine the place between visibility and invisibility, inside and outside.

Clee invited women artists, dancers, musicians and academics to collaborate with her, for a day at a time, while she worked on an evolving sculptural installation in the space, incorporating work from her collaborators. Members of the public would glance in, stop and watch, sometimes dance, or hurry away.

The residency culminated in an improvised sharing and performance between the different collaborators.

Encountering Space with Lyn Hodnett
Encountering Space with Lyn Hodnett
Encountering space with Rachel Smith
Encountering space with Rachel Smith
Encountering Space with Rachel Smith
Encountering Space with Rachel Smith

Rhizoming with netting

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 Installation created during a dance collaboration with Gill Crow

Installation created during a dance collaboration with Gill Crow

Encountering Space with Jacqui Hilson
Encountering Space with Jacqui Hilson
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Syn-Aesthetic, 2017/2018

Thinking about the crossover of the senses, this was an experimental collaboration between Clee and three other artists Shirley Harris, Gill Alderson and Gill Crow. Drawing evolved into movement, sound, installation and video work. The work took place at Exchange Place Studios.

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A Wake, 2015

Dance collaboration between Clee, Gill Crow and Alison Davis-Kurley.

Danse macabre, 2015

an experimental video

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Danse macabre 2015

A Drift, 2015

Following on from their sculptural installation/dance collaboration, A Void, Gill Crow and Ali Davis-Kurley again join Clee to put movement to her work. The sculptural work was part of a six-week evolving installation developed alone, and sometimes in collaboration with Debbie Michaels, and always in collaboration with the space and the energy of the other contributors to Work in Progress, conceived by Bryan Eccleshall.

A Drift (work in progress) 2015
A Drift (work in progress) 2015

Gill Crow and Alison Davis-Kurley dance amongst Clee’s sculptural installation at Bank Street Arts, Sheffield. This was during the show Work in Progress, conceived by Bryan Eccleshall.

A Void, 2015

Clee worked with Alison Davis-Kurley and Gill Crow to put movement to her sculptural installation, developed during a residency at Creative Arts Development Spaces, Sheffield.

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This is how gorgeous it feels, 2021
2
'This is how gorgeous it feels' with Lucy Haighton's Third Bite Dance Company, 2021
2
Preys, 2020
1
Autumnal Comings and Goings with Dawn Holgate, 2020
Clee devising movement
2
Dance collaboration with Gerry Turvey, 2020
Encountering Space with Lyn Hodnett
7
Regardez la fenêtre, 2018
3
Syn-Aesthetic, 2017/2018
2
A Wake, 2015
A Drift (work in progress) 2015
1
A Drift, 2015
1
A Void, 2015

© Clee 2020

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Also supported by a bursary from a-n The Artists Information Company and Arts Council England

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