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    <lastmod>2026-01-09</lastmod>
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      <image:title>Installation</image:title>
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      <image:title>Installation - On Caul III: Phantom Limb, 2020</image:title>
      <image:caption>Installed at Exchange Place Studios, Sheffield</image:caption>
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      <image:title>Installation - Evolving installation</image:title>
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      <image:title>Installation - On Caul: Unpaid Labour, 2019 (photo by Jules Lister)</image:title>
      <image:caption>Crocheted steel wire, hand-made steel chain In Tom Parkin’s workshop, we are asked to imagine the daily grind of a cutlery maker, over a 40-year period. Lee has created an installation of ghostly wire vessels in the workshop, that references the labouring bodies of women. By making visible the otherwise invisible domestic and reproductive labour of women, the artist recognises the role women played in the industrial history of Sheffield; women like Lily Lee, the artist’s paternal grandmother, who bore Arthur Lee, plus two more babies, and returned to her domestic duties and older children without pause. Lily Lee spent 40 years bearing and rearing children, producing and supporting the workforce of the city. (words by Abi Spinks) Please see Material Voice exhibitions for information about the project, reviews, and the other artists.</image:caption>
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      <image:title>Installation - Potential Space, 2016</image:title>
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      <image:title>Installation - Utter VII, 2021</image:title>
      <image:caption>duvet, nylon mesh, hook, handmade steel chain, elastic thread</image:caption>
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      <image:title>Installation - Caos is not chaos, Riaslach is not humble, 2022</image:title>
      <image:caption>Questioning aspects of identity, miscommunication and disturbance, and the relationship with increasing points of intersection.</image:caption>
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  <url>
    <loc>https://www.cleeclairelee.com/sculpture</loc>
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    <lastmod>2026-01-09</lastmod>
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      <image:title>Sculpture</image:title>
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      <image:title>Sculpture - Entails II, 2018 (photo by Lou Tomlinson)</image:title>
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      <image:title>Sculpture - Liberation Through, 2012</image:title>
      <image:caption>welded mild steel wire</image:caption>
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      <image:title>Sculpture - Cloche II, 2020</image:title>
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      <image:title>Sculpture - Fleeting Memories of Astral Dreaming, 2019</image:title>
      <image:caption>Installed at the ‘donkey woods’, Sheffield</image:caption>
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    <loc>https://www.cleeclairelee.com/live-art</loc>
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    <lastmod>2026-01-07</lastmod>
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      <image:title>Live art collaboration - A Drift (work in progress) 2015</image:title>
      <image:caption>Gill Crow and Alison Davis-Kurley dance amongst Clee’s sculptural installation at Bank Street Arts, Sheffield. This was during the show Work in Progress, conceived by Bryan Eccleshall.</image:caption>
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      <image:title>Live art collaboration - Encountering Space with Lyn Hodnett</image:title>
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      <image:title>Live art collaboration - Clee devising movement</image:title>
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      <image:title>Live art collaboration - This is how gorgeous it feels, 2021</image:title>
      <image:caption>Flyer for the film premiere on 12 June 2021</image:caption>
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      <image:title>News - Preys B detail - original photo by Peter Martin of Shared Programme</image:title>
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      <image:title>News - Photo credit: Jon Gardner</image:title>
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      <image:title>News - Preys B (Installation shot), 2022 by Clee Claire Lee; Photograph by Peter Martin, Shared Programme.</image:title>
      <image:caption>Taigh Chearsabhagh Museum &amp; Arts Centre, Isle of North Uist, Scotland ARTS THERAPIES CONFERENCE AND EXHIBITION 2022 Sameness and Disturbance: An exploration of Identity and Place. CONFERENCE 2nd AND 3rd SEPTEMBER EXHIBITION 1ST SEPTEMBER – 11th OCTOBER Identity – 4/10 definitions 1. The state or fact of remaining the same one or ones, as under varying aspects or conditions. 2. Condition or character as to who a person or what a thing is; the qualities, beliefs, etc, that distinguish or identify a person or thing. 3. The state or fact of being the same one as described. 4. The sense of self, providing sameness and continuity in personality over time and sometimes disturbed in mental illnesses, as schizophrenia. Place – 6/29 definitions 1. A particular portion of space, whether of definite or indefinite extent. 2. Space in general: time and place 3. Any part or spot in a body or surface 4. Position, situation, or circumstances: 5. A region or area 6. A mental or emotional state: I’m not in a good place right now. At Taigh Chearsabhagh Museum &amp; Arts Centre, in partnership with the University of the Highlands and Islands’ Institute of Innovation and Research, Rural Health and Wellbeing, the first arts therapies conference to be held in the Outer Hebrides will explore the pertinent themes of identity and place in relation to human experience, as well as how continuity of self might be maintained despite disturbance to a person’s sense of self, identity and place in the world. Over two days, in person and online, delegates will have a chance to hear four different presentations interpreting this theme from leading Scottish and UK-based arts therapists and researchers. SPEAKERS Catriona MacInnes - Art Psychotherapist, Researcher, Lecturer Alastair Robertson - Music Therapist, Musician Dr Chris Wood - Arts Therapies Researcher, Lecturerand Political Activist Dr Ania Zubala - Art Psychotherapist, Researcher, Lecturer. If you attend in person, there will be the opportunity to explore further the theme through the arts in two groups facilitated by experienced arts therapists who will safely guide you in the process. WORKSHOP FACILITATORS Catriona MacInnes - Art Psychotherapist, Researcher, Lecturer. Ingrid Bell - Art Psychotherapist, Artist. Bridget Grant - Art Psychotherapist, Lecturer Alastair Robertson - Music Therapist, Musician The Exhibition which opens the evening before the Conference includes three artists whose artwork has an existing relationship to Identity and Place. EXHIBITING ARTISTS Ingrid Bell Clee Claire Lee Gina MacDonald Photo credit: Preys B (Installation shot), 2022 by Clee Claire Lee; Photograph by Peter Martin, Shared Programme.</image:caption>
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